American Dignity on the Fourth of July — David Remnick in The New Yorker.
More than three-quarters of a century after the delegates of the Second Continental Congress voted to quit the Kingdom of Great Britain and declared that “all men are created equal,” Frederick Douglass stepped up to the lectern at Corinthian Hall, in Rochester, New York, and, in an Independence Day address to the Ladies of the Rochester Anti-Slavery Sewing Society, made manifest the darkest ironies embedded in American history and in the national self-regard. “What, to the American slave, is your 4th of July?” Douglass asked:
I answer; a day that reveals to him, more than all other days in the year, the gross injustice and cruelty to which he is the constant victim. To him, your celebration is a sham; your boasted liberty, an unholy license; your national greatness, swelling vanity; your sounds of rejoicing are empty and heartless; your denunciations of tyrants, brass fronted impudence; your shouts of liberty and equality, hollow mockery; your prayers and hymns, your sermons and thanksgivings, with all your religious parade, and solemnity, are, to him, mere bombast, fraud, deception, impiety, and hypocrisy—a thin veil to cover up crimes which would disgrace a nation of savages. There is not a nation on the earth guilty of practices, more shocking and bloody, than are the people of these United States, at this very hour.
The dissection of American reality, in all its complexity, is essential to political progress, and yet it rarely goes unpunished. One reason that the Republican right and its attendant media loathed Barack Obama is that his public rhetoric, while far more buoyant with post-civil-rights-era uplift than Douglass’s, was also an affront to reactionary pieties. Even as Obama tried to win votes, he did not paper over the duality of the American condition: its idealism and its injustices; its heroism in the fight against Fascism and its bloody misadventures before and after. His idea of a patriotic song was “America the Beautiful”—not in its sentimental ballpark versions but the way that Ray Charles sang it, as a blues, capturing the “fullness of the American experience, the view from the bottom as well as the top.”
Donald Trump, who, in fairness, has noted that “Frederick Douglass is an example of somebody who’s done an amazing job,” represents an entirely different tradition. He has no interest in the wholeness of reality. He descends from the lineage of the Know-Nothings, the doomsayers and the fabulists, the nativists and the hucksters. The thematic shift from Obama to Trump has been from “lifting as we climb” to “raising the drawbridge and bolting the door.” Trump may operate a twenty-first-century Twitter machine, but he is still a frontier-era drummer peddling snake oil, juniper tar, and Dr. Tabler’s Buckeye Pile Cure for profit from the back of a dusty wagon.
As a candidate, Trump told his followers that he would fulfill “every dream you ever dreamed for your country.” But he is a plutocrat. His loyalty is to the interests of the plutocracy. Trump’s vows of solidarity with the struggling working class, with the victims of globalization and deindustrialization, are a fraud. He made coal miners a symbol of his campaign, but he has always held them in contempt. To him, they are luckless schmoes who fail to possess his ineffable talents. “The coal miner gets black-lung disease, his son gets it, then his son,” Trump once told Playboy. “If I had been the son of a coal miner, I would have left the damn mines. But most people don’t have the imagination—or whatever—to leave their mine. They don’t have ‘it.’ ”
Trump is hardly the first bad President in American history—he has not had adequate time to eclipse, in deed, the very worst—but when has any politician done so much, so quickly, to demean his office, his country, and even the language in which he attempts to speak? Every day, Trump wakes up and erodes the dignity of the Presidency a little more. He tells a lie. He tells another. He trolls Arnold Schwarzenegger. He trolls the press, bellowing “enemy of the people” and “fake news!” He shoves aside a Balkan head of state. He summons his Cabinet members to have them swear fealty to his awesomeness. He leers at an Irish journalist. Last Thursday, he tweeted at Joe Scarborough and Mika Brzezinski, of MSNBC: “I heard poorly rated @Morning_Joe speaks badly of me (don’t watch anymore). Then how come low I.Q. Crazy Mika, along with Psycho Joe, came . . . to Mar-a-Lago 3 nights in a row around New Year’s Eve, and insisted on joining me. She was bleeding badly from a face-lift. I said no!” The President’s misogyny and his indecency are well established. When is it time to question his mental stability?
The atmosphere of debasement and indignity in the White House, it appears, is contagious. Trump’s family and the aides who hastened to serve him have learned to imitate his grossest reflexes, and to hell with the contradictions. Melania Trump, whose “cause” is cyber-bullying, defends the poisoned tweet at Brzezinski. His righteously feminist daughter Ivanka stays mum. After the recent special election in Georgia, Kellyanne Conway, the counsellor to the President, tweeted, “Laughing my #Ossoff.” The wit! The valor! Verily, the return of Camelot!
Trump began his national ascendancy by hoisting the racist banner of birtherism. Since then, as candidate and as President, he has found countless ways to pollute the national atmosphere. If someone suggests a lie that is useful to him, he will happily pass it along or endorse it. This habit is not without purpose or cumulative effect. Even if Trump fails in his most ambitious policy initiatives, whether it is liberating the wealthy from their tax obligations or liberating the poor from their health care, he has already begun to foster a public sphere in which, as Hannah Arendt put it in her treatise on totalitarian states, millions come to believe that “everything was possible and that nothing was true.”
Frederick Douglass ended his Independence Day jeremiad in Rochester with steadfast optimism (“I do not despair of this country”). Read his closing lines, and what despair you might feel when listening to a President who abets ignorance, isolation, and cynicism is eased, at least somewhat. The “mental darkness” of earlier times is done, Douglass reminded his audience. “Intelligence is penetrating the darkest corners of the globe.” There is yet hope for the “great principles” of the Declaration of Independence and “the genius of American Institutions.” There was reason for optimism then, as there is now. Donald Trump is not forever. Sometimes it just seems that way.
Making the Grade — The Miami Herald editorial board.
Every traditional public school in Miami-Dade County made the grade, and not one of those grades was an F. It’s a gratifying and hard-won accomplishment for schools chief Alberto Carvalho and his team, School Board members, educators in all capacities, parents and, of course, the students. And it’s a first.
The achievement is the result of a slow but steady march to the day when the state Department of Education would release the annual school grades and every school in the county would receive a passing grade. That glorious day arrived last week.
Success came despite the challenges — or maybe because of them. There are schools with large numbers of students living in poverty and low parental engagement. About 70 percent of students district-wide get reduced-price or free lunch because they come from low-income families. And more than 72,000 students are learning English. All are indicators of students facing the most hurdles to academic success. The district amped up the focus on them. “We put in counselors and coaches,” Carvalho told the Editorial Board. “ We put in new supports for fragile schools.”
The district earned a B average overall; two-thirds of all schools received a grade of A or B. Almost 20 years ago, there were 26 F schools in Miami-Dade.
School grades are weighted most heavily toward students’ scores on standardized tests, with graduation rates and the number of students taking advanced courses also factored in. What makes the school district’s no-F achievement even more remarkable is that since 1999, when the tests were first administered, state legislators have tinkered and rejiggered and generally messed around, making the test always more difficult — arbitrarily setting back some students’ progress — and harder to administer. The introduction of computers, for instance, was a disaster, plus many poor students had little experience with such technology in their homes.
In fact, the only failure in the district’s good-news story is that of the state Legislature — again. As reported by Kristen Clark of the Herald/Tallahassee new bureau, because of the new education reform law, Senate Bill 7069, passed during the session, 650 charter schools throughout the state, privately managed and independent of schools districts, could be entitled to receive as much as $96 million from school districts’ taxpayer funds for construction and maintenance. At the very least, lawmakers imposed certain financial and academic standards before many of these for-profit schools can receive funds.
There’s more: Superintendent Carvalho rightly laments new restrictions placed on the use of federal Title 1 funds. Public-school districts are expected to distribute this funding for schools with poor and at-risk students to private and charter schools, as well. In addition, under a new state-imposed formula, the Title 1 money that remains with the district must be spread further throughout the district, clearly with the potential to dilute the beneficial impact these funds have when concentrated in the neediest schools.
“SB 7069 rewards publicly funded schools that don’t have a track record of lifting failing students,” Carvalho told the Editorial Board. He later added that “These funding levels and restrictions will endanger the progress we have made.”
It’s a legitimate fear. For this sweeping law that will likely undermine hard-won gains like those in Miami-Dade, lawmakers have earned an F.
How to Get an Asteroid Named After You — Marina Koren in The Atlantic.
Mary Lou Whitehorne was at a work conference in 2007 when her colleagues surprised her with an asteroid.They were at an annual meeting of the Royal Astronomical Society of Canada in Calgary. Whitehorne, a member of the organization and a longtime science educator, was standing outside of a pub, engaged in a conversation, when a coworker called her inside. He had a special announcement to make: A small asteroid, orbiting between Mars and Jupiter, had been named after Whitehorne.“I was completely floored and completely speechless,” Whitehorne says.
Whitehorne’s colleagues had waited about two years for the name to be approved. Asteroids can’t be named for just anything or anyone; there’s a careful selection process with lots of rules, managed by an international organization in charge of collecting and sorting observational data for asteroids. The organization is the Minor Planet Center, which is run out of the Smithsonian Astrophysical Observatory in Massachusetts, and under the purview of the International Astronomical Union, an organization of professional astronomers.
The first asteroids to be discovered, in the early 1800s, were named for figures in Roman and Greek mythology, like Ceres, Pallas, and Vesta. Astronomers ran out of those options fairly quickly, so they started looking elsewhere. Today, most asteroids are named for people, both real and fictional, and the rest for places, animals, plants, and other natural phenomena. The discoverers of asteroids are responsible for proposing the names—but there are rules, and their proposals can get denied.When a new asteroid is first spotted, the Minor Planet Center gives it a provisional designation composed of the the year of discovery and two numbers. If astronomers successfully study and confirm its orbit, it gets a permanent numeral designation that corresponds with the object’s place on the chronological list of previous discoveries. The discoverer then has 10 years to suggest and submit a name for the object, including a short pitch for why the name should be accepted. A 15-person committee at the International Astronomical Union judges the name and, if it approves, publishes it in a monthly newsletter.The names should be “16 characters or less in length; preferably one word; pronounceable (in some language); non-offensive; and not too similar to an existing name” of an asteroid, according to the Minor Planet Center’s website.
There are guidelines for certain kinds of asteroids. Objects that cross or approach the orbit of Neptune, for example, must be named for mythological figures associated with the underworld, while objects right outside of Neptune’s orbit get named for mythological figures related to creation.
Asteroids can’t be named for pets, but there’s at least one named for a cat, allowed perhaps because the cat itself was named for a Star Trek character. In 1985, an astronomer received approval to name his asteroid Mr. Spock, after the cat that had kept him company during long hours at work.Discoverers can’t sell the chance to name their asteroid, but naming contests are allowed. In 2012, NASA asked students to name (101955) 1999 RQ36, a near-Earth asteroid and the target of a robotic mission, OSIRIS-REx, which launched last year. They picked Bennu, for the Egyptian mythological bird resembling a heron.Whitehorne’s asteroid was among a number of asteroids discovered by three astronomers doing comet surveys in 2004. Her colleagues knew of the trio and their work, and asked them whether they could claim one in Whitehorne’s honor, to celebrate her years of contributions to the field. Whitehorne started out 30 years ago as a volunteer amateur astronomer at a small planetarium in Halifax, her hometown. Not long after, she jumped into astronomy and science education, working with students and teachers and developing programs and curricula for schools across the country. In 2015, she became the first female fellow at the Royal Astronomical Society of Canada, a position created to recognize the contributions of long-serving members.
Whitehorne has seen only a photograph of her asteroid, which is about three-kilometers across. It’s too faint to see with her backyard telescope. She calls it her “orbiting tombstone.”
“I am mortal and I am going to die, but my name is going to be on the asteroid as long as there’s human civilization and society on this planet,” she says. “Every once in a while I think about that and think, my goodness, what have I done?”