So New England won the Super Bowl. To some it was a study in foregone conclusions in spite of the running commentary and betting pool that went on between Dohiyi Mir and Atrios. (I did not participate for two reasons: I don’t bet, and I didn’t have a favorite in the match-up anyway.)
But the big question on everyone’s mind was how would the commercials come off after last year’s boorish and borderline obscenities? Seth Sutel from the AP has a review.
There were plenty of tried-and-true techniques used in this year’s Super Bowl ads — talking animals, Clydesdale horses, celebrity cameos. But then came Gladys Knight as a rugby player, an airborne ’72 Impala and a “Mama’s Boy” action figure who was somehow plugging anti-perspirant.
If last year’s flatulent horses and crotch-biting dogs tested the limits of good taste, a number of this year’s crop tested the limits of credulity.
Granted, this is where the advertising industry makes big plays and takes big chances. Advertisers expect to get a bang for each one of the 2.4 million bucks that they splash out for a 30-second spot, the most expensive TV ad time by far. But with an audience of nearly 90 million, plenty of companies think it’s worth it.
This year, a number of newcomers took out their first-ever Super Bowl ads, including Volvo, with a clever spot featuring Richard Branson going into space in a rocket. A sticker on the side of the rocket boasts that his other vehicle is a Volvo. This ad even comes with its own promotion, giving viewers a chance to sign up to win a trip into space on commercial space flights Branson is planning.
Other first-timers included GoDaddy.com, a vendor of Web site names, which took a chance with a racy ad poking fun at the uproar over Janet Jackson’s “wardrobe malfunction” of last year; and Ameriquest Mortgage Co., which ran a fun but slightly quizzical spot in which a shopper gets maced, whacked with a bat and then zapped with a cattle prod after the shop owners mistakenly think he’s holding them up.
Other ads made clever references to pop culture. Pepsi, a perennial Super Bowl advertiser, even referred to one of its own classic ads by showing Cindy Crawford ogling a plain-dressed but hunky guy walking along and sipping on a can of Diet Pepsi as the theme from “Saturday Night Fever” plays in the background. Crawford herself was the star of a 1992 Pepsi ad where two young boys ogled her as she pulled into a dusty gas station and quaffed a Pepsi in slow motion.
But this being 2005, after Crawford and numerous other women are stopped in their tracks by the hunkalicious Diet Pepsi drinker, there’s one more pair of eyes caught by the passing stud: those of “Queer Eye for the Straight Guy” host Carson Kressley.
I caught a few of the spots, but not until I had finished watching October Sky on Starz.